intimacy coordination in live performance.
My work as an Intimacy Coordinator in film and television draws on my extensive training in intimacy coordination, choreography, physical theatre, and actor training & coaching. Across film, TV, and live performance, I’ve contributed to nearly 100 productions, supporting and choreographing intimate and highly exposed scenes with safety, respect, and artistry at the core.
Working within theatre, opera, and musical productions, my approach is grounded in a deep understanding of the performer’s process. I combine storytelling and choreography with a consent-based and trauma-informed perspective. On stage, intimacy and hyper-exposed moments carry great artistic potential but also inherent risk. My work transforms these scenes into opportunities for creativity—spaces where performers can explore freely because boundaries are clear and trust is established.
Each production is unique, but it always begins with the story: what is the artistic intent, and how can intimacy serve it? Together with the director and creative team, we shape a language that makes intimate scenes feel organic and meaningful.
Conversations with performers are at the heart of the work. By listening to personal boundaries and weaving them into the choreography, we create moments that are both respectful and full of dramatic force. Collaboration across departments ensures that intimacy isn’t an isolated element, but an integrated part of the performance’s visual and emotional world. This cultivates a safe and inclusive rehearsal environment, supporting performers to explore intimate scenes with confidence and creativity.
As intimacy coordinator, I oversee all sensitive moments in a production, working closely with directors, performers, and the production team to balance safety and artistic integrity. The result is live performance where vulnerability feels authentic, risk becomes play, and intimacy enhances the story.
Kung Lear / King Lear – Dramaten. Photo: Sören VIlks
Guidance for working with an intimacy coordinator
Like other high-risk elements, intimate and highly exposed scenes require careful preparation and planning – but it is not always clear from the script whether a production contains intimate and/or highly exposed scenes. The script and the director’s vision do not always align, and the degree of intimacy may turn out to be greater or smaller than expected. Therefore, it is important, at an early stage—already when deciding on the production—to try to identify and plan for intimate and highly exposed scenes. It is always better to account for scenes that may not happen than the other way around. In case of uncertainty, a consultation with an intimacy coordinator is recommended.
Before the rehearsal process begins the intimacy coordinator, together with the director and producer, assesses the needs and develops a plan accordingly. Like other complex or high-risk elements, intimate and highly exposed scenes require careful preparation and planning.
If the production only includes occasional scenes, three to four rehearsal sessions are usually sufficient: in the rehearsal room, on stage, and during a technical run-through. Scenes of higher complexity—or productions featuring significant intimacy, nudity, audience interaction, or where intimacy and high exposure are central—require a greater presence of the intimacy coordinator throughout the entire rehearsal process.
Please note that a large part of the intimacy coordinator’s work takes place outside the rehearsal room in the form of administration, conversations with performers, coordination, and meetings.
Whether a scene is defined as intimate or highly exposed depends on an assessment of content, context, and the scene’s intention. Certain scenes, such as simulated sex, nudity, or scenes with strong sexual content, are always classified as intimate. Other scenes may be perceived as intimate depending on the context of the scene, the performers, and how the scene is perceived from the audience’s perspective. This shared assessment forms the basis for planning the scene.
Examples of different types of scenes, with or without sexual content, and highly exposed scenes:
Scenes with sexual content: e.g. simulated sex, kissing, masturbation, striptease, sexual dance, nudity, etc.
Scenes without sexual content: e.g. intimate touch, lightly dressed, gynecological examination, childbirth, nudity, etc.
Highly exposed scenes: e.g. intense emotionally charged situations such as death, murder, suicide, panic attacks, trauma.
The intimacy coordinator ensures that intimate and highly exposed scenes are handled professionally throughout the entire production process. The work encompasses everything from script breakdown and risk assessment to planning rehearsals and performances. It also includes sound, motion picture, or still imagery in the production, as well as still and motion images in PR materials that involve intimate moments.
An intimacy coordinator, also referred as an intimacy choreographer and intimacy director, works from the perspectives of safety, artistic expression, and storytelling. The role follows international standards and is validated through specialized training and, in film and TV, also through certification or accreditation*.
Certified intimacy coordinator: has completed training at a recognized institution (e.g., NIC, IPA, IDC) and is trained in protocols, risk assessment, choreography, and consent-based work.
Accredited intimacy coordinator: in addition to training, has had their professional competence and experience reviewed and approved by a professional organization (e.g., SAG-AFTRA).
Malin is, in addition to being an accredited intimacy coordinator, also a trained Mental Health First Aider and is qualified to work with minors.
*Certifications and accreditation currently apply to film production, but the expertise is fully applicable to stage productions as well.
The intimacy coordinator is responsible for overseeing intimate and highly exposed scenes in a production. The role involves leading, coordinating, and ensuring both safety and artistic quality throughout the entire process. The intimacy coordinator has expert knowledge in handling physical and emotional intimacy as well as highly exposed scenes, and participates in decisions and changes related to these scenes.
An intimacy coordinator often works solo on a production, but for larger projects or more complex scenes, the role can be expanded with assistants or other specialized professionals.
Like other creative roles, the intimacy coordinator is part of the overall collaboration between production departments and works in close dialogue with the producer, director, performers, costume, makeup, set design, technical crew, audience management, PR, and other relevant departments.
Frequently Asked Questions (FAQ)
Not always. A non-sexual kiss between adult performer can often be managed by the director and performers if everyone feels comfortable. However, factors such as age, experience, and the emotional tone of the scene should be taken into consideration. Some directors still choose to have an intimacy coordinator present to support the artistic expression and to ensure consent.
Answer: No. The intimacy coordinator supports both the performers and the team. Through structure, choreography, and guidelines, the intimacy coordinator helps the team plan and stage intimacy in a way that is both safe and artistically enriching for everyone involved.
Answer: Absolutely not! The intimacy coordinator work is not about limiting but about giving intimate elements the same space and weight as other scenes. By creating safety and clear boundaries, performers are able to fully engage with their creative process, exploring choices and nuances in their work, often resulting in richer, more vivid, and believable scenes..
Answer: That’s completely understandable. At this point it’s a great time to check in. A consultation is always possible. The intimacy coordinator can read through the script and break down the scenes to assess whether intimacy coordination is needed. Sometimes a short conversation is all it takes to clarify things and make sure everyone feels safe and supported from the start.
Answer: Yes and no. If a scene is not budgeted for an intimacy coordinator, it can sometimes be done, but in a modified form. The intimacy coordinator can guide the production in adjusting the scene so it is no longer considered intimate while preserving the story. For example, changing clothes behind a screen, creating the illusion of nudity while the performer remains clothed, can be performed without being classified as an intimate scene. However, if actual nudity is visible, the scene is considered intimate.
Answer: Even though it is not ideal to involve an intimacy coordinator once the process is already underway, we are fully aware that in live performance, work is process-driven, and sometimes intimate or highly exposed moments emerge organically. In these cases, it is always possible to involve an intimacy coordinator for guidance and support.
Please note: If it is known in advance that the production will include intimate scenes, the intimacy coordinator must be involved from the very beginning to ensure the work is done safely, effectively, and with artistic integrity.